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Calvary Presbyterian Church

Debra May Cerra

March 16, 2008 – Palm Sunday

 

Matthew 21:1-11 (NRSV)

 When they had come near Jerusalem and had reached Bethphage, at the Mount of Olives, Jesus sent two disciples, 2 saying to them, "Go into the village ahead of you, and immediately you will find a donkey tied, and a colt with her; untie them and bring them to me. 3 If anyone says anything to you, just say this, 'The Lord needs them.' And he will send them immediately." 4 This took place to fulfill what had been spoken through the prophet, saying, 5 "Tell the daughter of Zion, Look, your king is coming to you, humble, and mounted on a donkey, and on a colt, the foal of a donkey." 6 The disciples went and did as Jesus had directed them; 7 they brought the donkey and the colt, and put their cloaks on them, and he sat on them. 8 A very large crowd spread their cloaks on the road, and others cut branches from the trees and spread them on the road. 9 The crowds that went ahead of him and that followed were shouting, "Hosanna to the Son of David! Blessed is the one who comes in the name of the Lord! Hosanna in the highest heaven!" 10 When he entered Jerusalem, the whole city was in turmoil, asking, "Who is this?" 11 The crowds were saying, "This is the prophet Jesus from Nazareth in Galilee."

 

Hosanna to the Son of David

 

            Every Sunday before Easter we hear the narrative of Palm Sunday, envisioning the throngs of people waving palm branches and laying out their cloaks before Jesus as he rides towards Jerusalem. The Christian calendar would not seem complete without Jesus’ triumphant entry into the city. Today marks the beginning of what is known as “Holy Week,” a week filled with promises, suffering, death, and a victorious triumph.

            Our reading from Matthew begins with Jesus at the place called the Mount of Olives. While there, “Jesus sent two disciples, saying to them, ‘Go into the village ahead of you, and immediately you will find a donkey tied, and a colt with her; untie them and bring them to me. If anyone says anything to you, just say this, 'The Lord needs them.'’ And he will send them immediately." (1-3) The disciples did as they were told and the account unfolded as Jesus described.

            The narrative of Jesus’ triumphant entry into Jerusalem depicts a vivid picture. The disciples and many in the crowd had witnessed Jesus performing miracles in the name of God and had listened to His teachings in the temple, synagogues, and villages. They were impressed by what they had seen and heard and they were anticipating even greater things from Jesus. Matthew records: “Nearly all the people in the crowd threw their garments down on the road, giving him a royal welcome. Others cut branches from the trees and threw them down as a welcome mat. Crowds went ahead and crowds followed, all of them calling out, ‘Hosanna to David's son!’ ‘Blessed is he who comes in God's name!’ ‘Hosanna in highest heaven!’”[1] (8,9) It must have been an incredible scene!

            The Palm Sunday narrative is found in all four of the Gospels. Each writer includes different details but together they tell of the appearance of the donkey, the spreading of cloaks, the waving of palms, and the shouts of hosanna to the Son of David. In each account the people are enthusiastic and full of joy.

            In 1969, the Rock Opera “Jesus Christ, Superstar” was written by Tim Rice and Lloyd Webber. As I was writing this, I was going to use this musical as a contemporary example but then realized it was published almost 40 years ago! I guess the term ‘contemporary’ is relative! So, I’m just going to use its words as another way of telling the story! The lyrics of the musical deviate from the words of Scripture but the way some of the events are depicted is striking.

           

            Listen again to Matthew’s description of Jesus’ entry into Jerusalem:  “When he [Jesus] entered Jerusalem, the whole city was in turmoil, asking, "Who is this?" The crowds were saying, "This is the prophet Jesus from Nazareth in Galilee." (10,11) Remember, the city was overflowing with Passover pilgrims. Many may not have known Jesus and did not understand the parade of followers. Even in Matthew’s short accounting, confusion and concern are exposed.

Rice and Webber’s opera also depicts the chaos of Jerusalem. As the Romans and Priests heard the crowd shouting: “Hosanna, Superstar! Hosanna! Superstar!” they began talking among themselves: “Listen to that howling mob of blockheads in the street! A trick or two with lepers and the whole town’s on its’ feet. He is dangerous. Jesus Christ Superstar – tell us that you’re who they say you are. He is dangerous.”[2] The opinion of the religious leaders was strong. Jesus needed to be dealt with. He was dangerous!

Then Caiaphas, the high priest, spoke to Jesus: “Tell the rabble to be quiet we anticipate a riot, this common crowd is much too loud. Tell the mob who sing your song that they are fools and they are wrong, they are a curse, they should disperse.” But, with more fervor and enthusiasm, the crowd continued to cheer: “Hosanna, Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna. Hey JC, JC you’re alright by me. Sanna Ho Sanna Hey Superstar.”

            Jesus then answered Caiaphas: “Why waste your breath moaning at the crowd. Nothing can be done to stop the shouting. If every tongue was still the noise would continue, the rocks and stones themselves would start to sing.”

            At this point, the passion of the opera breaks out in song: “Hosanna Heysanna Sanna Sanna Ho, Sanna Hey Sanna Ho Sanna. He JC, JC won’t you fight for me? Sanna Ho Sanna Hey Superstar.” The energetic crowd is not to be silenced – at least not now…

            The words of this opera lend to our imagination. Can you see the crowds cheering, waving palms, shouting “Hosanna”? Can you feel the tension between Jesus and the religious leaders? Were you able to experience some of the power of the crowd? How about the anxiety and stress of those in authority?

            In Rice and Webber’s opera, we find Jesus depicted as “Superstar” and “dangerous.” Yet in the Scriptures Jesus is portrayed as a gentle-hearted, humble man. Though truly a King and “Superstar” by any heavenly definition, Jesus is proclaimed as a servant. Doesn’t the Messiah we affirm and follow fit the image of a man riding into Jerusalem on a donkey?

            Again turning to the musical’s word, the Palm Sunday crowd is seen as “rabble,” “fools,” and “a howling mob of blockheads.” In the Gospels, the people in the crowd are really followers of Jesus – his supporters. The children and adults who lined the streets, waving branches and spreading their cloaks are people who loved Jesus, who heard him teach, who watched him minister to those in need.

And, Rice and Webber name the opposition of Jesus as the Romans, the Pharisees, and Caiaphas – the high priest.

            Indeed, in the Bible we find Romans, Pharisees and the high priest opposing Jesus. But his opposition is far greater than men. As Paul writes in his letter to the Ephesians: “Our struggle is not against enemies of blood and flesh, but against the rulers, against the authorities, against the cosmic powers of this present darkness, against the spiritual forces of evil in the heavenly places.”[3] The real enemy is far greater than any human opponent. It is a battle between good and evil, light and darkness, love and hate. The forces that oppose God’s Son, Jesus Christ, go beyond our understanding and our resources.

            Friends, we need to ask ourselves: Where do we align ourselves on this first day of Holy Week? Are we with the crowds, joyfully praising Jesus? Are we the enthusiastic ones rooting for the Superstar, willing to sing out our hosanna to Jesus Christ, the Son of David?

Or, are we on the “less-than-enthusiastic” side? We may not be the opposition, but do we find ourselves on the fringe of commitment – not wanting to take a stand? Maybe even afraid to be seen or heard?

            Today, Palm Sunday, we need to stand with the crowd and shout our hosannas. Or, in a more contemporary fashion, we might want to stand with the crowd and sing:  “Hosanna Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna, Hey JC, JC you’re alright by me! Sanna Ho Sanna Hey Superstar! Amen and Amen.

 



[1] Eugene Peterson, The Message (MSG)

[2] “This Jesus Must Die” and “Hosanna” from the original soundtrack Jesus Christ, Superstar.

[3] Ephesians 6:12

Calvary Presbyterian Church, 300 Fourth Street, Riverton, NJ 08077